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In Search of Family and Magic ...
 
"The phenomenon of alternative circus performance can be seen as the theatrical dimension to one generation's wholesale rediscovery of the concept of the tribe. Their position is reminiscent of the strolling players in Ingmar Bergman's The Seventh Seal. In the film, the traveling circus performers, with their innocence and play, are the only survivors of the plague, represented as a sort of disease of the human spirit incarnate in the Crusades. Circus, the tribal entertainment, eludes the modern world with its malaises and plagues."
-J. Dee Hill, Freaks and Fire (2004) 
 
 
We awoke in the new millenium to find ourselves mired in a culture of inanity. The greatest tragedy of which is that most poor suckers don't feel the quicksand rising around them. The corpocracy has so successfully made consumers out of us that we're now doing the dirty work of advertising for them, endorsing their brands across our social networks hoping to be the exception that wins a month's free service or the latest electronic gadget. We hate that we are willing to spam our friends if it means winning a new macbook, but we do it anyway. We know that our energy consuption is endangering the planet, but we can't bear to give up long, hot showers or the convienence of our private commute. We are the children who were given cotton candy and gummi bears for breakfast because we asked for it. Our parents are the media we now curse because they've failed to fortify our minds to fight the temptation. OUr goverment has failed to protect us. We digest pleasures like an insatable PacMan racing through the maze with no idea who's operating the joystick.
 
"I don't believe that the public knows what it wants;
this is the conclusion that I have drawn from my career."
- Charlie Chaplin
 
Some of us, however, are acutely aware of this transformation. And we are suffering from a collective crisis of faith; dangerous levels of cynicism. Considering monikers of past generations- the lost generation, the beat generation- such a crisis is not unprecedented. But we know more now than we ever did before. Everything is known and the most obscure kernels of information can be summoned before us with a couple of keystrokes.
We long for mystery. We'd rather not know about the man behind the curtain. We want to trust, blindly, even if it hurts us in the end. We wander like gypsies in search of the unknown, for some distraction that will soothe our souls.
 
Although I technically entered the world of NeoVaudeville through the New Burlesque, it didn't take long before I discovered The Yard Dogs Road Show. I was one of 12 playwrights comissioned to write a half-hour radio play for The Northeast Theatre's (now Electric Theatre Company) Lackawanna Rails series with WVIA. I wanted to tie into local history but write something with contemporary relevance. Something that young people could relate to. In my research, I found Hobo, a book by Eddy Joe Cotton so marvelous I ended up writing it into the play. The stimulus for a restless, starry-eyed girl to run away from home in search of something genuine. Something that might make her feel alive.
 
 
THE LINKS 
Ward Hall
Jim Rose Circus
Pickle Family Circus
Burning Man
Penn & Teller
Bill Irwin
 
 
Say Family AGAIN Samuel! 
 
Mysterious and enticing Samuel Sullivan of the Sullivan Bros. Carnival freak sanctuary pulls the family card so often in this fourth season of NBC's Heroes it's sure to be in the drinking game.
For example: take this, meant to entice invincible cheerleader Claire from episode 8:
"We're all like you. A family of sorts. People with extraordinary abilities. Family is about more than blood. It's about trust. It's about love. About those who embrace you. The real you. Unconditionally."
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
"Those who don’t get it ...or who may be offended by it are usually thrill seekers who have not found their thrill. They seem disoriented, almost drunk from their own assumption of what they think life should be. They have crawled into the cannon without lighting the fuse. And have been sitting there for far too long. Funny thing is, they want to join the circus. But the circus is "dumb" - it’s no way to live. So they make trouble instead, sit on the sidelines having sex with magazines and drinking far too many energy drinks.
 
- The Yard Dogs' Eddy Joe Cotton in Glide Magazine,
August 2006.
 
 
 

 

 

"We're taking a lot of classic vaudeville and circus sideshow material and giving it a contemporary twist and finding out that America still really wants to see this type of entertainment. Especially in a face-to-face, very visceral experience with the intimacy that we can provide that an overproduced show like Cirque can't or a coliseum show like Ringling can't. (The audience) may end up on the stage with us. We also try to play venues so the person in the back of the room can still see the sweat on the brow. We like being close with the audience so they don't feel like they're watching America's Got Talent on TV."

- Keith Nelson, Bindlestiff Family Cirkus
electric city, august 30, 2007

 

 

 

 

 

Although America's Got Talent is not highly-regarded by most neovaudevillians, the NBC program has served to expose the country to viable alternative variety acts. Season one brought juggling comedy duo The Passing Zone to the finals. The winner of season two was ventriloquist Terry Fator. Who saw that coming? In season three we met The James Gang who gave America a stunning introduction to steampunk even as they failed to make it to the Top 10. The most vaudevillian assortment of talent yet was probably seen in season four though viewers -- clearly in an empathetic recession stupor -- voted down-on-his-luck kentucky chicken farmer Kevin Skinner winner, despite the odds against his headling in Vegas.

 

 

 

 

 

 

 

 

  

 

 

 

 

 

"Circus in general is about achieving some kind of intimacy with the audience that you typically don't get in these large scale presenations that are more about watching rather than experiencing."

- Chris Lashua, Cirque Mechanics

electric city, february 19, 2008

 

"This is real, live entertainment folks. no haoxes, no gimmicks, no tricks. The difference between a sideshow performer and a magician is that a magician relies upon tricks while a sideshow performer relies upon his or her own strength, endurance, and downright insanity whole performing body bending acts, guaranteed to shock and enliven."

-The Crispy Family Carnival, Denver

 

 

One of Us

 

The 2009 Sideshow Gathering was held in Wilkes-Barre, Pa. in conjunction with Marc's Tattooing's annual Inkin' the Valley tattoo convention Nov. 6-8. I was unable to attend due to a double play of illness and prior committment, but I was able to speak with Sideshow Gathering founder Franco Kossa prior to the event.

 

“There are a handful of people who have kept sideshow alive. And they’re not doing it for the money.

They’re doing it for love. It’s what they know. There’s no glamour.

You’re out there on the road, putting up tents and taking them down.

You’re working. Nobody’s getting rich in that business right now.”
-Franco Kossa, electric city/diamond city

5 November 2009 


 

  

*Thrill Kill Jill of The Lucky Devil Thrill Show of the Washington D.C. was one of the many acts seen at the 2009 Sideshow Gathering.